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Classical concerts featuring
Mark Stone

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Quick overview of musician Mark Stone by associated keywords

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Upcoming Concerts

Concerts featuring Mark Stone in season 2024/25 or later

April 18, 2025
Artistic depiction of the event

Parsifal

Fri, Apr 18, 2025, 16:00
Patrick Hahn (Musical Director), Christoph Pohl (Amfortas), Han Kim (Titurel), Kwangchul Youn (Gurnemanz), Benjamin Bruns (Parsifal), Mark Stone (Klingsor), Iréne Theorin (Kundry), Hubert Kowalczyk (2. Gralsritter), Yeonjoo Katharina Jang (Blumenmädchen I), Yeonjoo Katharina Jang (1), N. N. (Blumenmädchen I), N. N. (2), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
In his “Parsifal”, Wagner created a complex world of its own. It is complex because it consists of so many heterogeneous elements whose meaning is hard to comprehend, frequently drawing us onto paths leading nowhere. Thus, the many religious signs, symbols and rituals can only be understood as partial elements pointing to a world which must be interpreted as a whole. Elements of Christianity, such as the last supper, the goblet, blood, the spear and dove, or Schopenhauer’s idea that compassion might release man from his egocentricity, as well as Gnostic and Manichean motifs lead to partial interpretative approaches which are unsuitable for “Parsifal” as a whole. A theatrical world, however, can design a fictional cosmos in which all these elements can effectively participate, leaving the audience to interpret its own experiences as it sees fit. Director, Set-, Costume- and Lightdesign: Achim Freyer Artistic Collaboration: Sebastian Bauer Set Design Collaboration: Moritz Nitsche Costume Design Collaboration: Petra Weikert Light Design Collaboration: Sebastian Alphons Video: Jakob Klaffs/Hugo Reis Dramaturgy: Klaus-Peter Kehr Premiere: 16.9.2017
April 21, 2025
Artistic depiction of the event

Parsifal

Mon, Apr 21, 2025, 15:00
Patrick Hahn (Musical Director), Christoph Pohl (Amfortas), Han Kim (Titurel), Kwangchul Youn (Gurnemanz), Benjamin Bruns (Parsifal), Mark Stone (Klingsor), Iréne Theorin (Kundry), N. N. (1. Gralsritter), Hubert Kowalczyk (2. Gralsritter), N. N. (1. Knappe), N. N. (2. Knappe), N. N. (3. Knappe), N. N. (4. Knappe), Yeonjoo Katharina Jang (Blumenmädchen I), Yeonjoo Katharina Jang (1), N. N. (Blumenmädchen I), N. N. (2), N. N. (3), N. N. (Blumenmädchen II), N. N. (1), N. N. (Stimme aus der Höhe), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
In his “Parsifal”, Wagner created a complex world of its own. It is complex because it consists of so many heterogeneous elements whose meaning is hard to comprehend, frequently drawing us onto paths leading nowhere. Thus, the many religious signs, symbols and rituals can only be understood as partial elements pointing to a world which must be interpreted as a whole. Elements of Christianity, such as the last supper, the goblet, blood, the spear and dove, or Schopenhauer’s idea that compassion might release man from his egocentricity, as well as Gnostic and Manichean motifs lead to partial interpretative approaches which are unsuitable for “Parsifal” as a whole. A theatrical world, however, can design a fictional cosmos in which all these elements can effectively participate, leaving the audience to interpret its own experiences as it sees fit. Director, Set-, Costume- and Lightdesign: Achim Freyer Artistic Collaboration: Sebastian Bauer Set Design Collaboration: Moritz Nitsche Costume Design Collaboration: Petra Weikert Light Design Collaboration: Sebastian Alphons Video: Jakob Klaffs/Hugo Reis Dramaturgy: Klaus-Peter Kehr Premiere: 16.9.2017
April 27, 2025
Artistic depiction of the event

Parsifal

Sun, Apr 27, 2025, 16:00
Patrick Hahn (Musical Director), Christoph Pohl (Amfortas), Han Kim (Titurel), Kwangchul Youn (Gurnemanz), Benjamin Bruns (Parsifal), Mark Stone (Klingsor), Iréne Theorin (Kundry), N. N. (1. Gralsritter), Hubert Kowalczyk (2. Gralsritter), N. N. (1. Knappe), N. N. (2. Knappe), N. N. (3. Knappe), N. N. (4. Knappe), Yeonjoo Katharina Jang (Blumenmädchen I), Yeonjoo Katharina Jang (1), N. N. (Blumenmädchen I), N. N. (2), N. N. (3), N. N. (Blumenmädchen II), N. N. (1), N. N. (Stimme aus der Höhe), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
In his “Parsifal”, Wagner created a complex world of its own. It is complex because it consists of so many heterogeneous elements whose meaning is hard to comprehend, frequently drawing us onto paths leading nowhere. Thus, the many religious signs, symbols and rituals can only be understood as partial elements pointing to a world which must be interpreted as a whole. Elements of Christianity, such as the last supper, the goblet, blood, the spear and dove, or Schopenhauer’s idea that compassion might release man from his egocentricity, as well as Gnostic and Manichean motifs lead to partial interpretative approaches which are unsuitable for “Parsifal” as a whole. A theatrical world, however, can design a fictional cosmos in which all these elements can effectively participate, leaving the audience to interpret its own experiences as it sees fit. Director, Set-, Costume- and Lightdesign: Achim Freyer Artistic Collaboration: Sebastian Bauer Set Design Collaboration: Moritz Nitsche Costume Design Collaboration: Petra Weikert Light Design Collaboration: Sebastian Alphons Video: Jakob Klaffs/Hugo Reis Dramaturgy: Klaus-Peter Kehr Premiere: 16.9.2017
May 4, 2025
Artistic depiction of the event

Parsifal

Sun, May 4, 2025, 16:00
Patrick Hahn (Musical Director), Christoph Pohl (Amfortas), Han Kim (Titurel), Kwangchul Youn (Gurnemanz), Benjamin Bruns (Parsifal), Mark Stone (Klingsor), Iréne Theorin (Kundry), N. N. (1. Gralsritter), Hubert Kowalczyk (2. Gralsritter), N. N. (1. Knappe), N. N. (2. Knappe), N. N. (3. Knappe), N. N. (4. Knappe), Yeonjoo Katharina Jang (Blumenmädchen I), Yeonjoo Katharina Jang (1), N. N. (Blumenmädchen I), N. N. (2), N. N. (3), N. N. (Blumenmädchen II), N. N. (1), N. N. (Stimme aus der Höhe), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
In his “Parsifal”, Wagner created a complex world of its own. It is complex because it consists of so many heterogeneous elements whose meaning is hard to comprehend, frequently drawing us onto paths leading nowhere. Thus, the many religious signs, symbols and rituals can only be understood as partial elements pointing to a world which must be interpreted as a whole. Elements of Christianity, such as the last supper, the goblet, blood, the spear and dove, or Schopenhauer’s idea that compassion might release man from his egocentricity, as well as Gnostic and Manichean motifs lead to partial interpretative approaches which are unsuitable for “Parsifal” as a whole. A theatrical world, however, can design a fictional cosmos in which all these elements can effectively participate, leaving the audience to interpret its own experiences as it sees fit. Director, Set-, Costume- and Lightdesign: Achim Freyer Artistic Collaboration: Sebastian Bauer Set Design Collaboration: Moritz Nitsche Costume Design Collaboration: Petra Weikert Light Design Collaboration: Sebastian Alphons Video: Jakob Klaffs/Hugo Reis Dramaturgy: Klaus-Peter Kehr Premiere: 16.9.2017